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Tom Cosm – “It’s Going To Make Your Music More Melodic”

RIKIO ROCKS 0 6

We talk to Tom Cosm, the technical director of Kevin Parker’s Telepathic Instruments, about how they made their uber-popular Orchid synthesizer.

Few recent synthesizers have had the success of Orchid, the debut release from Telepathic Instruments. It probably doesn’t hurt that the chord machine came from the mind of Kevin Parker of Tame Impala. It’s ended up in the hands of producers like Fred again.., Sara Landry, and Joy Anonymous, among many others, and after a few limited-edition drops, it’s now widely available. 

We spoke with Tom Cosm, the technical director for Telepathic Instruments, about how the Orchid went from an idea in the mind of Kevin Parker to a world-conquering physical instrument, and why it’s not just for indie musicians.

Attack: You actually have a techno background.

TC: I do. Techno is what I would tell the older generation when they asked me what kind of music I play. It’s kind of like techno trance. Usually, it's four-to-the-floor stuff, but I pivot a lot with my genre choice.

What's your coding and electronics background?

I've always been a self-taught computer person. I was into tracker stuff as an early teenager, and when I got my laptop, I moved on to BuzzTracker, and that's when my life changed, because I started instantly making ambient chill out stuff. I got yoinked away from becoming a traditional jazz musician just because I love computers. Starting in tracking software is a really good precursor to doing anything with code or computer engineering with sound, because you learn how to think in hexadecimal.

Max for Live was a really good path, which allows you to use JavaScript. I realized I could get really deep and not just use objects and link them together, but I could actually do some code. So no formal training. I've just managed to grab what I can to put together a package that seems to be working. 

Attack Mag - Interviews - Editorial - Orchid (4)Techno is what I would tell the older generation when they asked me what kind of music I play. It’s kind of like techno trance. Usually, it's four-to-the-floor stuff, but I pivot a lot with my genre choice.

As the technical director for Telepathic Instruments, how hands-on are you? Are you writing the code?

Originally, when the first prototype was made, that was 100 percent me, from circuitry through to the code through to some really shoddy mechanical engineering. I hadn't touched a soldering iron much before then, but I think throughout a couple of years building that prototype, I severely advanced my skills in any sort of electrical engineering.

It wasn't even a prototype. It was a one-off contract for Kevin because this is what he wanted as a personal thing. But then he came back and said, I would like to make thousands of these things. That's the point where I started reaching out and finding developers who are very, very excellent at C++ or electrical engineering or product management.

You've done data sonification projects as well. Did any of that filter into Orchid? 

Data sonification is a huge passion of mine. That opened up an avenue for me. I got quite a surprising amount of work through that. That's ultimately how Kevin found me because I put a lot of what I was doing online.

4B Breaks Down The Cultural Roots Behind “WHAT IS THIS”

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4B’s(@dj4b) “WHAT IS THIS” marks his debut on Zeds Dead’s Deadbeats label, and it finds him pushing further into dubstep without disconnecting from the Jersey Club foundation that shaped his entire approach. The New Jersey producer has spent more than a decade bringing that local rhythm language into larger electronic spaces, from festival stages to [...]

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The post 4B Breaks Down The Cultural Roots Behind “WHAT IS THIS” appeared first on Magnetic Magazine.

A Chicago Brewery Hid a Golden Coin in a Single Beer Can for Backstage VIP Access at Summer’s Last Dance Festival

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The festival pulled a Willy Wonka, offering one lucky drinker the full VIP treatment.

The post A Chicago Brewery Hid a Golden Coin in a Single Beer Can for Backstage VIP Access at Summer’s Last Dance Festival appeared first on EDM.

BBC Radio 1 Dance: How To Listen Live, DJs & Schedule 2026

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BBC Radio 1 Dance is one of the most influential radio stations dedicated entirely to electronic dance music, broadcasting 24/7 from the BBC's studios in London. Whether you're into house, drum and bass, techno, or anything in between, this station delivers a nonstop mix of tracks curated by some of the biggest names behind the decks.

But figuring out how to actually tune in, especially from outside the UK, plus keeping track of which DJs are on and when, isn't always straightforward. That's exactly what this guide covers: how to listen live from anywhere, the full 2026 schedule, and a breakdown of the resident DJs who shape the station's sound week after week.

At RIKIO ROCKS, we cover the electronic dance music scene daily, pulling together news from across the industry so you don't have to. A station like BBC Radio 1 Dance sits right at the center of that ecosystem, breaking new tracks and platforming artists before they blow up. Below, we break down everything you need to know to get the most out of it this year.

What BBC Radio 1 Dance is

BBC Radio 1 Dance launched as a dedicated digital spin-off of the main BBC Radio 1 station, built specifically for listeners who want electronic music without the pop and chart content that fills the flagship station's schedule. It runs 24 hours a day, seven days a week, streaming continuously online and through digital radio platforms. The BBC designed it as a place where the dance music community could find programming that goes deeper than a single weekly show.

How it fits within the BBC Radio 1 family

The main BBC Radio 1 station has always had a strong connection to dance music, running specialist shows on weekend nights for decades. BBC Radio 1 Dance takes that foundation and builds an entire station around it. Think of Radio 1 as the broad channel that covers everything from pop to indie to hip-hop, and BBC Radio 1 Dance as the branch that narrows all the way down to house, techno, drum and bass, jungle, garage, and electronica.

BBC Radio 1 Dance functions as a 24/7 home for the genres that Radio 1 specialists like Pete Tong helped put on the map decades ago.

Both stations share some programming DNA. You'll hear mixes from artists and DJs who also appear on the main BBC Radio 1 lineup, but the Dance station gives them more space, longer sets, and a format built specifically around extended DJ sets and mix-led programming rather than presenter-heavy talk radio.

The genres and format it covers

Radio 1 Dance does not stick to one corner of electronic music. On any given day, you might hear deep house pulled from an Essential Mix archive, a live set from a major festival, a dedicated drum and bass hour, or a techno mix from a producer with a global following. That range is intentional. The BBC uses BBC Radio 1 Dance as a platform to showcase the full width of the global dance music scene, not just whatever subgenre is currently getting the most attention.

Format-wise, the station leans heavily on recorded DJ sets and curated mixes rather than live presenter chat. That means fewer interruptions, longer unbroken listening windows, and an experience that feels closer to a club night than a traditional radio broadcast.

What the station is not

It's worth being clear about what BBC Radio 1 Dance is not. It is not a podcast network, not a streaming playlist service, and not a chart countdown show. It is a licensed broadcast radio station operated by the BBC, which means it follows broadcast regulations around music licensing, content standards, and scheduling, the same as any other BBC station.

Club Space Collecting Donations for Venezuela Earthquake Relief

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*Featured Cover Photo Credit: Club Space / Insomniac The world-famous Club Space nightclub from Miami is currently collecting donations for the Venezuela earthquake relief efforts. On June 24, 2026, two large strike-slip earthquakes, measured at 7.2 and 7.5, respectively, struck northern Venezuela. According to live updates that CNN is still providing, 1,450 people have died […]

The post Club Space Collecting Donations for Venezuela Earthquake Relief appeared first on EDMTunes.

Erica Synths Razornator Turns Tuned Resonant Delay Into a Desktop Stereo FX Unit

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Erica Synths has opened preorders for Razornator, a compact desktop stereo FX unit built around five chromatically tuned resonating delay lines. The short version is that it takes incoming audio and reshapes the harmonic content through tuned resonance, with enough control to push it toward instrument bodies, rooms, structures, and other resonant objects. Razornator is [...]

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The post Erica Synths Razornator Turns Tuned Resonant Delay Into a Desktop Stereo FX Unit appeared first on Magnetic Magazine.

Major Lazer and Tokischa Unleash Dembow Weapon ‘pAPi wiTH tOKisCHa’

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Major Lazer is officially in the middle of their most aggressive global touring cycle in over seven years, and they’ve just dropped the ultimate soundtrack for it. Teased for months across massive festival stages, the dancehall-infused electronic powerhouse has finally released ‘pAPi wiTH tOKisCHa‘, a scorching collaboration with Dominican dembow firebrand Tokischa. Clocking in at […]

The post Major Lazer and Tokischa Unleash Dembow Weapon ‘pAPi wiTH tOKisCHa’ appeared first on EDMTunes.

Fusion Festival Resumes After Nearby Fires Force Temporary Evacuation

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One of Europe’s most unique electronic music festivals briefly came to a halt on Thursday after fires broke out near the grounds of Fusion Festival in Lärz, Germany. Organizers suspended the event shortly before 7 p.m. local time while emergency crews responded to two separate fires outside the festival site. Guests calmly made their way […]

The post Fusion Festival Resumes After Nearby Fires Force Temporary Evacuation appeared first on EDMTunes.

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