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Benjamin Yellowitz, CamelPhat & Kotiēr Release ‘Goddess’

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‘Goddess‘ comes with the collaboration between Benjamin Yellowitz, CamelPhat, and Kotiēr, bringing together three distinct production and writing styles for a one-of-a-kind deep house release. The track carries the energy of multiple listening experiences. It could stand its ground at a festival, club, personal playlist, and more. ‘Goddess’ Goddess opens with soft synths and a […]

The post Benjamin Yellowitz, CamelPhat & Kotiēr Release ‘Goddess’ appeared first on EDMTunes.

James Hype Drops ‘Behavior’ Featuring A.D.O.R.

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James Hype returns with another late-night club hit, ‘Behavior’, a collab that includes the late legendary MC A.D.O.R. that blends house, hypnotic melodies, and vocals. The track creates remembrance for A.D.O.R. and continues Hype’s unstoppable run through 2025, adding another highlight to a catalog built for clubs and festivals. With his global presence at an […]

The post James Hype Drops ‘Behavior’ Featuring A.D.O.R. appeared first on EDMTunes.

Craig Oram Unveils ‘Work It,’ Marking a Fresh Step ....

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Producer and DJ Craig Oram announces the release of his new EP titled ‘Work It’ on Polyptych Limited Record Label, marking a defining moment in his artistic evolution delivering a two-track project, introducing a refined direction that balances underground edge with polished production, a natural next step in his growth as a Producer and performer. […]

10 Can’t-Miss Events At Art Basel Miami 2025

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Art Basel Miami 2025 returns with its most expansive schedule yet, bringing together global DJs, visionary artists, and boundary-pushing cultural experiences across the city. These are the ten events guaranteed to define your week. December 2 to 3 — The Wellness Oasis™ at Reserve Miami Seaplane Base For a grounded start to Art Week, The [...]

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The post 10 Can’t-Miss Events At Art Basel Miami 2025 appeared first on Magnetic Magazine.

BEATSURFING LØW Review: Perhaps The Best Low End Tool I’ve Ever Used

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I have always struggled with the low end of my tracks. Maybe it’s just because I’m more keen to listening to melodies than deep bass lines, but I’ve always really had issues with it. In some of my tracks it’s too weak, in others it’s too strong. In a majority of my tracks, it’s far [...]

Read More... from BEATSURFING LØW Review: Perhaps The Best Low End Tool I’ve Ever Used

The post BEATSURFING LØW Review: Perhaps The Best Low End Tool I’ve Ever Used appeared first on Magnetic Magazine.

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