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Nick Hakim :: I Can See

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A patient, deeply atmospheric work developed over more than five years, Nick Hakim's I Can See finds the in-demand producer and songwriter distilling his expansive palette into something quieter, more intimate, and quietly elegant. It offers the low-volume comfort of a dinner at a friend's house, where you never want to leave the room, but don't feel the need to talk much either.

The post Nick Hakim :: I Can See first appeared on Aquarium Drunkard.

Wild Havana :: Wild Havana (1977)

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In 1977, a Dutch multi-instrumentalist named Johan Smit tried to synthesize his adventures in 1970s music. Drawing on kraut, prog, jazz-funk and the ethnic rock experiments of Embryo and Popul Vuh, Smit and some of his friends put together one of the more weirdly compelling artifacts of the private press era. Wild Havana is at once retro and futuristic, looking backwards toward traditional sounds while anticipating the mutant funk and electro of the 1980s. It doesn't all come together, but not coming together is what makes it all work.

The post Wild Havana :: Wild Havana (1977) first appeared on Aquarium Drunkard.

Dimitri Vegas, Sylver & Pat B - Turn The Tide (ft. Sylver)

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Discover Dimitri Vegas, Sylver & Pat B - Turn The Tide (ft. Sylver) on your favorite streaming platform: https://orcd.co/_turnthetide Dimitri Vegas and Pat B have taken a trip down memory lane with their remake of Syler’s 2001 dance classic, Turn The Tide. The track has elements of the new school hardstyle style whilst still retaining the emotion of the original track. Turn The Tide ventures through nostalgic nods to early dance music, with Syler’s original vocals echoing amongst powerful bass stabs and whirring progressive chords. The track brings together audiences of all ages and backgrounds, uniting the dance floor through euphoric build-ups and hard-hitting drops that shake the speakers. Iconic trance melodies sweep through gritty drumbeats, creating a whirl of sentimental remembrance and newfound discovery. Written by: Wout Van Dessel, Regi Penxten Produced by: Dimitri Vegas, Pat B, Sylver Vocals by: Sylver Follow Dimitri Vegas & Like Mike on Spotify: https://open.spotify.com/user/dimitrivegas-likemike?si=27234c562d5349d4 Relive the MADNESS with these exclusive Spotify playlists: The Official Tomorrowland Playlist: http://tomorrowland.com/spotify This is Dimitri Vegas & Like Mike: https://open.spotify.com/playlist/37i9dQZF1DX4Fbdh7T2WzS?si=c59b8cc25752427e The Smash The House Radio Playlist: https://open.spotify.com/playlist/6fWY1nEQaNDdQo9IlijNwt?si=aaea8c2ea49a4fb9 Subscribe yourself for more Tomorrowland Music on: https://www.youtube.com/user/SmashTheHouse Follow us on social media: http://www.instagram.com/dimitrivegasandlikemike http://www.instagram.com/dimitrivegas http://www.instagram.com/likemike http://www.facebook.com/dimitrivegasandlikemike http://www.twitter.com/dimitrivegas http://www.twitter.com/likemike https://www.tiktok.com/@dimitrivegasandlikemike https://www.tiktok.com/@dimitrivegas https://www.tiktok.com/@likemike Sign up: http://eepurl.com/b3xUuf

AUDIOPOOL Gives Unreleased Tracks a First Audience

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Most emerging electronic artists are forced into the hardest part of the market too early. A track can be finished, exciting, and ready for the right DJ or label, then still get buried the second it enters the same feed as established artists, larger campaigns, existing fan bases, and records with months of data already [...]

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The post AUDIOPOOL Gives Unreleased Tracks a First Audience appeared first on Magnetic Magazine.

CHETTI Closes Much Love, Chetti, Vol. 1 With “Trouble”

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Some songs are built around the chase. “Trouble” is built around the moment after it ends. CHETTI’s new track closes Much Love, Chetti, Vol. 1 with a feeling of exposure. The story has stopped moving fast enough to blur the edges, and what was being carried finally has to be seen. That is the tension [...]

Read More... from CHETTI Closes Much Love, Chetti, Vol. 1 With “Trouble”

The post CHETTI Closes Much Love, Chetti, Vol. 1 With “Trouble” appeared first on Magnetic Magazine.

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